Mike Rickard Reviews "The Death of WCW"

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Mike Rickard
Mike Rickard Reviews "The Death of WCW"
By Mike "Mr. Old School" Rickard
Sep 7, 2009 - 8:00 AM

Hey guys! With everyone talking about the WWE's latest documentary DVD The Rise and Fall of WCW (and Sir James Guttman reviewing it last week), I thought it would be cool to look at two of the better books on the subject. So without further ado, it's time to take a trip down memory lane as I provide not one but two book reviews! The first is the classic, The Death of WCW and next week, Sex, Lies, and Headlocks. Although the books came out several years back, I think they're still very relevant. The reviews are also vintage as they're among some of the first reviews I ever did. Hope you enjoy them!

Alvarez and Reynolds make good on telling what went wrong.

The Death of WCW
by R.D. Reynolds and Bryan Alvarez

“Those who do not remember their past are condemned to repeat their mistakes"
- George Santayana

When it comes to studying the history of wrestling, analyzing how World Championship Wrestling (WCW) failed is equally as important as analyzing how it rose to early dominance in the Monday Night War. Under the leadership of Eric Bischoff, WCW went from distant second place competitor to the World Wrestling Federation (WWF) to total domination in the world of professional wrestling. Things were so going so well that Eric Bischoff predicted that the WWF had less than a year before it would go bankrupt. Bischoff was no braggadocio, WCW was close to putting the last nail in the WWF’s coffin but incredibly, defeat was snatched from the jaws of victory.

Fresh off of the success of Wrestlecrap: the Very Worst of Pro Wrestling, R.D. Reynolds brings his humorous style of analyzing the bizarre with him in dissecting the bloated corpse of WCW and explaining the organization’s untimely demise. Joining him is Bryan Alvarez, co-host of the Wrestling Observer Live radio show and editor of Figure Four Weekly (and indie wrestler to boot!) The two authors do a remarkable job of analyzing what went right and what went wrong with WCW, breaking things down into understandable terms, while entertaining the reader at the same time.

It’s still hard to believe that it’s been nearly four years since World Championship Wrestling went out of business. During the Rock-n-Wrestling Era, WCW offered wrestling fans an alternative to the cartoon styling of Hulk Hogan in the WWF. As Vince McMahon brought the WWF into the national spotlight and put many of his competitors out of business, WCW was for all intents and purposes, the NWA’s last stand against the WWF (there were other promotions such as Mid-South but the only true national challenger to Vince was WCW). When Jim Crockett’s outrageous spending brought WCW close to bankruptcy, Ted Turner bought the organization and kept wrestling on his Superstation TBS network. In Turner’s mind, wrestling was a big part of the Superstation’s success and it held a special place in his heart.

Rudyard Kipling once wrote, "They copied all that they could follow but they could not copy my mind, and I left them sweating and stealing and a year and a half behind." Such was the case with WCW. During the early 90’s they began to copy the cartoonish aspects of the WWF, bringing in characters like Norman the Lunatic, the York Foundation, and the Ding Dongs. This managed to alienate many of their long-time fans without attracting any new ones.

Enter Eric Bischoff. Bischoff had left the dying promotion the American Wrestling Association (AWA) only to find himself working for a promotion that seemed determined to outdo the mistakes made by the AWA. As an announcer, Bischoff witnessed WCW dying the same painful death that the AWA had. A man of ambition and vision, Bischoff seized an opportunity when it came to him and found himself in control of WCW. At first things weren’t so successful but Bischoff had a plan. With Turner’s financial backing, Bischoff acquired the services of Hulk Hogan and began the dramatic turnaround that would make WCW a smashing success.

By 1995, Bischoff had Hogan as well as several WWF stars such as the Honkey Tonk Man, “Hacksaw” Jim Duggan, and “Macho Man” Randy Savage on the WCW payroll. In many respects, WCW and WWF had traded places with WCW featuring cartoonish characters while the WWF tried to rebrand itself as the New Generation by focusing on workrate oriented wrestlers such as Shawn Michaels and Bret Hart. Ted Turner continued to watch Bischoff’s accomplishments but wondered why WCW hadn’t earned a clear victory in the wrasslin’ wars. After all, WCW had the star power of former WWF stars like Hogan and Savage. When asked why WCW was not dominating the wrestling industry, Bischoff replied that he needed a prime-time show to compete with the WWF (which had had a long-running timeslot on the USA Network on Monday nights). To his amazement, Bischoff was told that he now had two hours of prime-time to air a wrestling show (Bischoff would cautiously keep his prime-time show to just one hour however).

September 4, 1995 marked the debut of Monday Night Nitro and the beginning of the Monday Night War. Backed by the financial power of Ted Turner, Bischoff intensified his campaign against the WWF. WWF superstars like Lex Lugar and Madusa Micelli were signed out from under Vince’s noses only to make surprise appearances on the live Nitro show. To make matters worse, Bischoff took advantage of the fact that Monday Night RAW was frequently taped by giving away the results of RAW matches on Nitro. During the 1980’s, the WWF demolished the territories by buying out their top stars and using aggressive business tactics to dismantle his competition. In the immortal words of the Roman scholar Marcus Terentius Varro “What is sauce for the goose is sauce for the gander”. Vince McMahon may not have liked it but the WWF was now the victim of many of the same tactics he had employed to destroy his competition

By 1996, WCW was in the black for the first time in its history. Ted Turner was delighted. While WCW had always provided good ratings for Turner’s networks, it hadn’t turned a profit in its entire history. Buoyed by Nitro’s success, Bischoff expanded Nitro to two hours and launched another salvo in the Monday Night Wars by adding former WWF wrestler Scott Hall to WCW’s lineup. Hall was joined by another WWF superstar Kevin Nash and a storyline began wherein WWF superstars were apparently invading WCW. Things heated up even further when Hall and Nash challenged WCW’s three top stars Randy Savage, Sting, and Lex Lugar (Hulk Hogan was away filming a movie) to a six-man match at WCW’s Bash at the Beach pay-per-view. Fans were anxious to see if the WWF stars could beat the WCW’s best and equally anxious to learn who Hall and Nash’s mystery partner would be. In the end, the wrestling world was stunned as Hulk Hogan turned heel and joined Hall and Nash as part of a new wrestling organization known as the New World Order.

The introduction of the New World Order in 1996 began a period of unmatched prosperity in WCW. WCW could do no wrong as it sold out arena after arena, broke television ratings records, and enjoyed high buy rates for all of its pay-per-views. Under the guidance of Eric Bischoff , WCW seemed unstoppable. WCW was poised to put the WWF out of business and become the dominant force in professional wrestling.

And yet WCW failed to win the Monday Night War and eventually went out of business in 2001. Through an incredible series of bad business decisions, poor planning, and hubris, the company lost its ground to the WWF. The story of how WCW lost it all is what makes The Death of WCW such a fascinating story. Alvarez and Reynolds do a terrific job of examining what worked so well in building the company up and the many factors that led to its demise. WCW didn’t die overnight and it had several opportunities to re-establish itself but through sustained mismanagement, the company went from the king of the mountain to the bottom of the trash heap.

The detailed breakdown of the rise and fall of WCW is enhanced by the humorous comments of Reynolds and Alvarez. In his debut work Wrestlecrap, Reynolds revealed his mastery of poking fun at the very worst of professional wrestling. The story of WCW’s tumble is ripe with comic material and Reynolds capitalizes on every moment. And just as he did in Wrestlecrap, this book explains the wrestling terminology so non-fans have an understanding of how the business works and the terms used in professional wrestling. Reynolds’ and co-author Bryan Alvarez (also known for his humorous take on things) know how to keep things in perspective. While The Death of WCW has its laughs, the book is a serious look at how even the most successful business can fail. Whether you’re a wrestling fan or involved in business, there’s something to be learned from the book.

The book has gathered a lot of positive feedback from wrestling fans and non-fans alike ( Forbes recently gave the book a glowing review) but it does have its critics. Long-time fans and members of the wrestling media have taken the authors to task for both the book’s content and the analysis. The book has been criticized because it basically recaps much of what was written in the Pro Wrestling Torch and the Pro Wrestling Observer (as well as on last year’s WWE release The Monday Night War). Much of the criticism focuses on the fact that the book doesn’t cover new ground or raise any new theories as to the cause of WCW’s demise. Critics have also expressed concern that while authors Reynolds and Alvarez take a lot of pot-shots at many of the people involved in WCW’s demise, that people who are friends with them are overlooked when it comes to the blame game.

While there’s no question that the book recaps a lot of information, that’s hardly a new concept in publishing. If the book had done a poor job recapping the tale of WCW’s plunge into the abyss, there would be room for criticism. However the authors do a remarkable job of chronicling what made WCW so successful and what led to the bottom dropping out. The story of WCW’s ruin is one of the biggest events in wrestling history and there’s much to be learned from it. With the proliferation of wrestling biographies, the business is finally starting to get true historical retrospectives. The success of Wrestlecrap has shown that there is a market for books on wrestling other than biographies. Reynolds and Alvarez should be praised for their efforts in broadening the scope of wrestling books.

Critics have been quick to note that the authors do not provide a fresh perspective on WCW’s fall from grace. Wade Keller’s review of the book noted that the authors failed to challenge conventional wisdom. ( Pro Wrestling Torch Issue 844 January 18, 2005) concerning WCW’s demise. There’s no doubt that the authors agree with many of the reasons given by others as to why WCW fell from grace. However it’s not as if the reasons behind WCW’s death are a complex puzzle such as the assassination of John F. Kennedy. Wrestling historians have generally held a consensus as to the reasons behind WCW’s downfall and it makes no sense for the writers to sensationalize the subject matter by throwing out unsupported theories concerning WCW’s fall (Curiously, Keller takes issue with the authors’ failure to challenge conventional wisdom while at the same time criticizing them when they contest the long-held belief that WCW’s guaranteed contracts played a pivotal role in the company’s demise.).

Another criticism of the book is that Alvarez and Reynolds shielded their friends from criticism. Basically, the focus of this allegation is that that WCW’s color commentator Bobby “The Brain” Heenan escaped the blame game. Mark Madden (a former WCW announcer and Pro Wrestling Torch columnist) and Wade Keller, editor of the Pro Wrestling Torch have complained that there is no criticism of Heenan in the book despite his infamous “but who’s side is he on?” remark moments before Hulk Hogan’s heel turn at Bash at the Beach. Madden has also stated at the Torch’s bulletin board The VIP Forum that Heenan had a drinking problem which led to a serious decline in the quality of his color commentary (and the reason why Heenan almost let it slip that Hogan was turning heel and joining the New World Order) and that the authors don’t bring up this up as well.

At first glance Heenan’s performance as a color commentator might seem relevant when you consider that Alvarez and Reynolds bring up Nitro announcer Tony Schiavone several times in their book. For example, the authors bring up Schiavone’s infamous call where he mocked Mick Foley’s WWF Title win (Schiavone knew that Foley was going to win the title since the RAW that week was pre-taped) only to have his comment backfire when Nitro viewers switched to RAW in droves to see Foley’s first World Title win. A closer examination of the two announcers show that while Schiavone’s comments are largely blamed for Nitro losing to RAW that week (and beginning the WWF’s eventual victory in the Monday Night War) Heenan’s comments are considered to be a footnote at best in the world of broadcast faux pas (and given Heenan’s career-long disdain for Hulk Hogan, his comments were similar to what he said about Hogan every other broadcast). Furthermore, Schiavone earned eternal disdain for many other remarks including his constant promotion of “the greatest Nitro ever” week after week.

The criticism made thus far has been extremely weak and I have to wonder if some members of the wrestling journalism community aren’t upset at the success of the book. While The Death of WCW is not a New York Times bestseller, it has had its share of success. It seems to me that some long-time wrestling writers may be a little resentful that guys who haven’t been around that long are now in the spotlight (Fortunately this isn’t the case with everyone as long-time wrestling journalist Dave Meltzer of the Wrestling Observer writes a nice introduction for the book). The authors may be recapping material that was featured in newsletters and books like Sex, Lies and Headlocks, but the book is a remarkable accomplishment nonetheless.

Unfortunately, most of the critics have missed out on the book’s one true flaw. Alvarez and Reynolds continue a distressing trend in wrestling books - the total lack of establishing the authors’ scholarship. Time after time, Alvarez and Reynolds provide facts and figures as they document WCW’s rise and fall but rarely do they document what information they relied on to get these figures. While the book includes a brief list of sources, there’s really no way of telling where they obtained information on buy-rates for pay-per-views, wrestlers salaries, or house show attendance. While you can be fairly certain that a lot of the information was harvested from the Torch and the Observer, there’s now way to be sure. There’s no excuse for it. It’s sloppy writing and it’s something that’s become far too common in books about wrestling. It’s a shame because future wrestling historians can’t use The Death of WCW as a resource with any level of confidence because they have no way of verifying the information presented by Alvarez and Reynolds. Ask any scholar or educator about the importance of listing your sources and you’ll understand why The Death of WCW is an enjoyable book but totally useless when it comes to proving historical fact. It may seem like nit-picking but wrestling writers need to bring their level of scholarship up to the same level as any other author writing a historical review. Mick Foley’s Have a Nice Day demonstrated that wrestling fans are not idiots and it’s time that the authors of wrestling books honored the fans’ reputation by bringing their scholarship up to speed.

Despite the book’s scholarly shortcomings, The Death of WCW is a great read. The 335 page book is entertaining and well written (although a little pricey at $19.95 for a soft cover). It also features a nice selection of color photographs that enhance your reading experience and it’s nice to see high quality photography in wrestling books other than those released by World Wrestling Entertainment.

Mike Rickard is the author of the new book, Wrestling's Greatest Moments which captures the best in wrestling from the last thirty years. Wrestling’s Greatest Moments brings you all the most memorable and controversial moments from modern wrestling history. It’s an insightful and essential compendium of thirty years’ worth of groundbreaking matches, angles and interviews. From Hulkamania to the Montreal “screwjob,” from the NWA to the nWo, you’ll rediscover what really occurred in arenas and on the air worldwide, and learn all the backstage and behind-the-scenes secrets that made these highlight-reel moments possible from the men and women who were there.

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